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Gernot Gruber


Lecture: "narrative strategies in the Mozart Mozart biographies around the years 1991 and 2006."

The Mozart anniversary in 2001 and 2006 show a certain change in the narrative strategies of the biographer: In 2001, one of the most important biographies of more and preferred phenomenon considerations. In 2006, there is no great excitement on the book market: Ulrich Konrad's traditional life-and-works biography does not claim to be new. Martin Geck was aware, however, in his biography, I said, 'he throws himself into narrative position in pose.

Subsequent to Frank: In terms of Mozart, we must ask ourselves whether he is the next centuries a classic. Classics need care and the generation of today has very different interests.

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Mathias Iven


Lecture: "Wittgenstein and ...": problems writing a biography

As a biographer is to Today, in very rare cases, a virgin territory. How do you deal thus with the biographies of other authors and how to influence their own views? Prevent large-scale material-rich work possibly further studies or are they just not that lead us back to the origins of the "real" life documents? Any prospect of a biographer arranged the material from new perspectives. I have looked at the life and work of Wittgenstein in terms of ethics again. An overall perspective, which is also reflected in Wittgenstein's concept of genius, which is been a holistic scale for character and work.

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Kurt Palm


Lecture: ". Trazom versus Mozart's biographer, with the twisted view: 'The Wade knife or the wild life of Wolfgang Mozart."
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The course of the Mozart year suggest that Mozart was indeed often used as a springboard for countless events to abermit fights tooth and nail to hold on Mozart and his work a truly substantive discourse. To this end, one would have to work with categories namely, that many fear in this country again plague. I speak of categories such as conflict, movement, and processual. Instead, the country pays homage to prefer one above the clouds has suspended genius who is immaterialized thus not only deprived but also criticism. Instead, there are contradictory smoothing, instead of moving solidification and processual rather than the insistence on traditional positions.