Conference:
'The making of ...' genius / Mozart and Wittgenstein: biographies, myths, and whom they benefit
19th - 21 October 2006 / House Wittgenstein (Bulgarian Cultural Institute) / Film Archiv Austria, Vienna
Saturday, November 4, 2006
Blue Dots On Negative Pregnancy Test
Was, wann und wo
Friday, November 3, 2006
My Dog Throws Up Saliva
Konzept und Organisation
Nicole L. Immler
Commission for Culture Studies and Theatre History
Östenreichische Academy of Sciences
Mission Statement: "Concept genius to the test"
"Vienna promotes the Mozart Year 2006" Vienna celebrates the genius "and calls him the best known musical genius of all time. Ludwig Wittgenstein is considered" the philosophical genius of the 20th century "(Time magazine). Both have been by their contemporaries as ..? genius perceived This attribution is a marketable label in the discussion on 'Cultural Heritage' Vienna 'But how were these identity-a hero made by biographers, filmmakers, scientists and cultural politicians to such What role is played by the category of "Genius" - which means those who she forgives and who they serve? questions on the constructive and narrative of biography are combined with questions about the marketing strategies to make the biography of letters in the service of social causes significantly "
concept and program.
http://www.oeaw.ac.at/kkt/archiv/work/w_20061021.pdf 
Nicole L. Immler
Commission for Culture Studies and Theatre History
Östenreichische Academy of Sciences
Mission Statement: "Concept genius to the test"
"Vienna promotes the Mozart Year 2006" Vienna celebrates the genius "and calls him the best known musical genius of all time. Ludwig Wittgenstein is considered" the philosophical genius of the 20th century "(Time magazine). Both have been by their contemporaries as ..? genius perceived This attribution is a marketable label in the discussion on 'Cultural Heritage' Vienna 'But how were these identity-a hero made by biographers, filmmakers, scientists and cultural politicians to such What role is played by the category of "Genius" - which means those who she forgives and who they serve? questions on the constructive and narrative of biography are combined with questions about the marketing strategies to make the biography of letters in the service of social causes significantly "
concept and program.
http://www.oeaw.ac.at/kkt/archiv/work/w_20061021.pdf
Thursday, November 2, 2006
Difference Between Blenderandmixer
Konferenzbericht auf H-SOZ-KULT
report by Deborah Holmes, Ludwig Boltzmann Institute for the History and Theory of Biography, Vienna.
Wednesday, November 1, 2006
Mineral Compact Powder
Konferenzbericht: Genialität für alle Fälle
Sabina Auckenthaler, Der Standard, 30.10.2006
Two Austrian genius, Wolfgang Amadeus Mozart and Ludwig Wittgenstein were the subject of a symposium of the Austrian Academy of Sciences. "The Making of ... genius" dealt well with their marketing. Wolfgang Amadeus Mozart and Ludwig Wittgenstein: the musical child prodigy from Salzburg is described as an unusual child's head, not the luxury and extravagance averse. Wittgenstein is however as far as possible without humor, and is often considered with attributes such as "deep seriousness" or "ascetic". Common to the famous Austrians, that both were in his lifetime as a genius and be celebrated as such. This compound was last weekend, the Commission on Culture and Theatre Studies at the Austrian Academy of Sciences on the occasion of the conference "The Making of ... Genius. "Austrian and German scientists were concerned with questions about the biographies of the two" great "men and the conditions or the commercialization of" genius ".
in the genesis of genius legends play a significant role. The musicologist Manfred Permoser illuminated the mystification surrounding Mozart's death, which was promoted not least by his wife, Constanze. The widow of the rumor spread, the musician wrote the Requiem for himself. It also launched sent the suspect, Mozart had been poisoned. And even if it already secured in the early 19th century was regarded as scientific, that Mozart died without any influence from outside was haunted by several poisoning theories long biographies and press and were further spun from fiction and film world. The genius status Mozart - also on his work as a musician out - was that was only good for so Permoser.Deutlich also at the meeting that Mozart's genius in the local scientific community not inviolability is readily: when the German Werner Janssen, a philosopher and director of the Arts and Science Festival Euriade "in his speech said that he could find in Mozart's letters," absolutely nothing intellectual, "he thereby provoked strong opposition. Jansen sees the letters as evidence that Mozart even in adulthood, the discrepancy between the genius musician and the obedient, lonely child never overcome hat.Auch for genius status of Wittgenstein legends have played a role, such as Austrian Klaus Puhl of the company Wittgenstein pointed out. Thus, a long-time rumors were circulating, the philosopher has lectured at Cambridge lying on his back and he was working as a goat herder in Turkey. Wittgenstein's homosexuality in turn offered to posterity, like Mozart's predilection for Fäkalausdrücke in his letters to his cousin, material for much speculation. Against the use of the name of the great thinker of the elite university, as it was for a time in conversation, the philosopher would have no objection Puhl had.
Quite different was this the Innsbruck linguist Werner Zillig. He criticized the marketing of the name of science, Wittgenstein's use, either by naming an elite university or by the FWF Wittgenstein Prize awarded. The name of Wittgenstein's famous now so will just abused only as a fashion label. Zillig also criticized the "dismemberment of the estate of Wittgenstein" in partly hostile to related institutions. This "jealousy" are the quality of the Wittgenstein Research abträglich.Abgesehen of these insights into the scientific community (n), the meeting provided an opportunity to learn about Wittgenstein as an architect. The house Wittgenstein in Vienna's third district where the meeting took place, was built under planning significant influence of the philosopher for his sister. In the 70 years the house narrowly avoided a crash, "because at that time in Austria, hardly anyone knew Wittgenstein," said Bernhard Leitner, Professor of Applied Arts in Vienna. It is thanks to its use also relevant that the house was then not yet demolished. 
Sabina Auckenthaler, Der Standard, 30.10.2006
Two Austrian genius, Wolfgang Amadeus Mozart and Ludwig Wittgenstein were the subject of a symposium of the Austrian Academy of Sciences. "The Making of ... genius" dealt well with their marketing. Wolfgang Amadeus Mozart and Ludwig Wittgenstein: the musical child prodigy from Salzburg is described as an unusual child's head, not the luxury and extravagance averse. Wittgenstein is however as far as possible without humor, and is often considered with attributes such as "deep seriousness" or "ascetic". Common to the famous Austrians, that both were in his lifetime as a genius and be celebrated as such. This compound was last weekend, the Commission on Culture and Theatre Studies at the Austrian Academy of Sciences on the occasion of the conference "The Making of ... Genius. "Austrian and German scientists were concerned with questions about the biographies of the two" great "men and the conditions or the commercialization of" genius ".
in the genesis of genius legends play a significant role. The musicologist Manfred Permoser illuminated the mystification surrounding Mozart's death, which was promoted not least by his wife, Constanze. The widow of the rumor spread, the musician wrote the Requiem for himself. It also launched sent the suspect, Mozart had been poisoned. And even if it already secured in the early 19th century was regarded as scientific, that Mozart died without any influence from outside was haunted by several poisoning theories long biographies and press and were further spun from fiction and film world. The genius status Mozart - also on his work as a musician out - was that was only good for so Permoser.Deutlich also at the meeting that Mozart's genius in the local scientific community not inviolability is readily: when the German Werner Janssen, a philosopher and director of the Arts and Science Festival Euriade "in his speech said that he could find in Mozart's letters," absolutely nothing intellectual, "he thereby provoked strong opposition. Jansen sees the letters as evidence that Mozart even in adulthood, the discrepancy between the genius musician and the obedient, lonely child never overcome hat.Auch for genius status of Wittgenstein legends have played a role, such as Austrian Klaus Puhl of the company Wittgenstein pointed out. Thus, a long-time rumors were circulating, the philosopher has lectured at Cambridge lying on his back and he was working as a goat herder in Turkey. Wittgenstein's homosexuality in turn offered to posterity, like Mozart's predilection for Fäkalausdrücke in his letters to his cousin, material for much speculation. Against the use of the name of the great thinker of the elite university, as it was for a time in conversation, the philosopher would have no objection Puhl had.
Quite different was this the Innsbruck linguist Werner Zillig. He criticized the marketing of the name of science, Wittgenstein's use, either by naming an elite university or by the FWF Wittgenstein Prize awarded. The name of Wittgenstein's famous now so will just abused only as a fashion label. Zillig also criticized the "dismemberment of the estate of Wittgenstein" in partly hostile to related institutions. This "jealousy" are the quality of the Wittgenstein Research abträglich.Abgesehen of these insights into the scientific community (n), the meeting provided an opportunity to learn about Wittgenstein as an architect. The house Wittgenstein in Vienna's third district where the meeting took place, was built under planning significant influence of the philosopher for his sister. In the 70 years the house narrowly avoided a crash, "because at that time in Austria, hardly anyone knew Wittgenstein," said Bernhard Leitner, Professor of Applied Arts in Vienna. It is thanks to its use also relevant that the house was then not yet demolished.
Monday, October 23, 2006
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Gernot Gruber
Lecture: "narrative strategies in the Mozart Mozart biographies around the years 1991 and 2006."
The Mozart anniversary in 2001 and 2006 show a certain change in the narrative strategies of the biographer: In 2001, one of the most important biographies of more and preferred phenomenon considerations. In 2006, there is no great excitement on the book market: Ulrich Konrad's traditional life-and-works biography does not claim to be new. Martin Geck was aware, however, in his biography, I said, 'he throws himself into narrative position in pose.
Subsequent to Frank: In terms of Mozart, we must ask ourselves whether he is the next centuries a classic. Classics need care and the generation of today has very different interests. 
Lecture: "narrative strategies in the Mozart Mozart biographies around the years 1991 and 2006."
The Mozart anniversary in 2001 and 2006 show a certain change in the narrative strategies of the biographer: In 2001, one of the most important biographies of more and preferred phenomenon considerations. In 2006, there is no great excitement on the book market: Ulrich Konrad's traditional life-and-works biography does not claim to be new. Martin Geck was aware, however, in his biography, I said, 'he throws himself into narrative position in pose.
Subsequent to Frank: In terms of Mozart, we must ask ourselves whether he is the next centuries a classic. Classics need care and the generation of today has very different interests.
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Mathias Iven
Lecture: "Wittgenstein and ...": problems writing a biography
As a biographer is to Today, in very rare cases, a virgin territory. How do you deal thus with the biographies of other authors and how to influence their own views? Prevent large-scale material-rich work possibly further studies or are they just not that lead us back to the origins of the "real" life documents? Any prospect of a biographer arranged the material from new perspectives. I have looked at the life and work of Wittgenstein in terms of ethics again. An overall perspective, which is also reflected in Wittgenstein's concept of genius, which is been a holistic scale for character and work. 
Lecture: "Wittgenstein and ...": problems writing a biography
As a biographer is to Today, in very rare cases, a virgin territory. How do you deal thus with the biographies of other authors and how to influence their own views? Prevent large-scale material-rich work possibly further studies or are they just not that lead us back to the origins of the "real" life documents? Any prospect of a biographer arranged the material from new perspectives. I have looked at the life and work of Wittgenstein in terms of ethics again. An overall perspective, which is also reflected in Wittgenstein's concept of genius, which is been a holistic scale for character and work.
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Kurt Palm
Lecture: ". Trazom versus Mozart's biographer, with the twisted view: 'The Wade knife or the wild life of Wolfgang Mozart."
can
The course of the Mozart year suggest that Mozart was indeed often used as a springboard for countless events to abermit fights tooth and nail to hold on Mozart and his work a truly substantive discourse. To this end, one would have to work with categories namely, that many fear in this country again plague. I speak of categories such as conflict, movement, and processual. Instead, the country pays homage to prefer one above the clouds has suspended genius who is immaterialized thus not only deprived but also criticism. Instead, there are contradictory smoothing, instead of moving solidification and processual rather than the insistence on traditional positions. 
Lecture: ". Trazom versus Mozart's biographer, with the twisted view: 'The Wade knife or the wild life of Wolfgang Mozart."
can
The course of the Mozart year suggest that Mozart was indeed often used as a springboard for countless events to abermit fights tooth and nail to hold on Mozart and his work a truly substantive discourse. To this end, one would have to work with categories namely, that many fear in this country again plague. I speak of categories such as conflict, movement, and processual. Instead, the country pays homage to prefer one above the clouds has suspended genius who is immaterialized thus not only deprived but also criticism. Instead, there are contradictory smoothing, instead of moving solidification and processual rather than the insistence on traditional positions.
Why Is My Dogs Butt Inflamed
Thomas Ballhausen
Lecture: "Philosophers and Marvianer About Derek Jarman's Wittgenstein.." 
Lecture: "Philosophers and Marvianer About Derek Jarman's Wittgenstein.."
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Ferry Radax
Lecture: "Wittgenstein - No Thanks!"
My film, Ludwig Wittgenstein - Philosophical and Biographical Notes', 2 transmission parts à 58 minutes, created for the 1970-76 WDR Cologne tries, contributed a little to average would be formed to give television something about the life and work of a philosopher to read to them otherwise neither important nor interesting enough published. In his philosophy there was already plenty of English literature. Over his life was still a mysterious fog of countless conjectures. , Where he was said to be where he had lived only briefly, but he was gone, too, or there more often, perhaps even more, though not forever, before he came back, but soon to vanish again to where He was away from it all. " All information on top of that salad was garnished with place names, scattered throughout England, Ireland, Norway and Austria, his foreign homeland. Everything so far was written theory, as long as they had not provided evidence for its correctness. Finally, the decision was to travel to all cases first to England, Ireland, Norway and Austria, to research there and to film, which traces and statements about Wittgenstein was even still there. The final script had to be written on the spot during the search. 
Lecture: "Wittgenstein - No Thanks!"
My film, Ludwig Wittgenstein - Philosophical and Biographical Notes', 2 transmission parts à 58 minutes, created for the 1970-76 WDR Cologne tries, contributed a little to average would be formed to give television something about the life and work of a philosopher to read to them otherwise neither important nor interesting enough published. In his philosophy there was already plenty of English literature. Over his life was still a mysterious fog of countless conjectures. , Where he was said to be where he had lived only briefly, but he was gone, too, or there more often, perhaps even more, though not forever, before he came back, but soon to vanish again to where He was away from it all. " All information on top of that salad was garnished with place names, scattered throughout England, Ireland, Norway and Austria, his foreign homeland. Everything so far was written theory, as long as they had not provided evidence for its correctness. Finally, the decision was to travel to all cases first to England, Ireland, Norway and Austria, to research there and to film, which traces and statements about Wittgenstein was even still there. The final script had to be written on the spot during the search.
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Manfred Permoser
Lecture: "... no one believes that he was poisoned" - between poetry and wahrhiet: myths in Mozart reception.
Even with the death of the "All too soon departed" is a romantic, idealized myths one. The construct of a pathetic, tragic-veiled legends and heroes at once the idea of history is brilliantly creative "Gods Favorite" to the side. A first relativization of stylization and myth-making is done with the by O. L. Jahn and Kochel founded modern Mozart research center of the 19 Century. 
Lecture: "... no one believes that he was poisoned" - between poetry and wahrhiet: myths in Mozart reception.
Even with the death of the "All too soon departed" is a romantic, idealized myths one. The construct of a pathetic, tragic-veiled legends and heroes at once the idea of history is brilliantly creative "Gods Favorite" to the side. A first relativization of stylization and myth-making is done with the by O. L. Jahn and Kochel founded modern Mozart research center of the 19 Century.
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Thomas Miesgang
Lecture: "The emptiness has taken on form over de creation of 'superstars' in post-media era.."
In the era of the "authentic inauthenticity" (Laurence Grossberg), in which everything relates only to images in this marketing industry works Mozart well. He is seeded to the Enlightenment Impetus and obscene letters, and remains a cultural projection screen. Mozart is one of the few composers of the one can earn something. He is the codification of the popular Viennese classics. He was already a pop star, before there was the pop star as such. One can imagine him as the ideal Europeans for political purposes, although there was no EU at that time. This all works through a massive reduction of Komplexiät. In science, however, making career terms, not their creator. What does this mean for a period in which the narratives have been replaced by images? Each image deletes a work permit - at least outside the discipline. 
Lecture: "The emptiness has taken on form over de creation of 'superstars' in post-media era.."
In the era of the "authentic inauthenticity" (Laurence Grossberg), in which everything relates only to images in this marketing industry works Mozart well. He is seeded to the Enlightenment Impetus and obscene letters, and remains a cultural projection screen. Mozart is one of the few composers of the one can earn something. He is the codification of the popular Viennese classics. He was already a pop star, before there was the pop star as such. One can imagine him as the ideal Europeans for political purposes, although there was no EU at that time. This all works through a massive reduction of Komplexiät. In science, however, making career terms, not their creator. What does this mean for a period in which the narratives have been replaced by images? Each image deletes a work permit - at least outside the discipline.
Crips Bloods Nortenos Surenos
Herbert Lachmeyer
Lecture: "Mozart productive decadence - reflections on artistic figure and the creativity of composers economy.
Little Man is a form of staging that worked at the court well. The 19th Wiedrum century was full of projections on the phenomenon of child prodigy. Here then the artist was, however, the rational world to the advanced world. Mozart was not a romantic genius, no suffering genius, the aesthetics needed as counterpart but part of the staged nobility, it has its symbols and its pathos formulas known to operate perfectly. Here it was important to get views prince and the miracle child a good concept to come into the picture.
In Exhibition "Enlightenment Experiment" Mozart is shown as a pioneer of individualism: I was looking for a connection to today's Age of Enlightenment. As a teacher I see my students confronted with plural lifestyles. I see Mozart as someone who is not the traditional path of success in the 18th biography Century struck, but wanted to realize itself in many facets. And offered to Vienna, especially after the abolition of censorship, the opportunity the opportunity. 
Lecture: "Mozart productive decadence - reflections on artistic figure and the creativity of composers economy.
Little Man is a form of staging that worked at the court well. The 19th Wiedrum century was full of projections on the phenomenon of child prodigy. Here then the artist was, however, the rational world to the advanced world. Mozart was not a romantic genius, no suffering genius, the aesthetics needed as counterpart but part of the staged nobility, it has its symbols and its pathos formulas known to operate perfectly. Here it was important to get views prince and the miracle child a good concept to come into the picture.
In Exhibition "Enlightenment Experiment" Mozart is shown as a pioneer of individualism: I was looking for a connection to today's Age of Enlightenment. As a teacher I see my students confronted with plural lifestyles. I see Mozart as someone who is not the traditional path of success in the 18th biography Century struck, but wanted to realize itself in many facets. And offered to Vienna, especially after the abolition of censorship, the opportunity the opportunity.
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Christian Klein
Lecture: "From the charm of the staged life - challenges and opportunities of the current biography."
Who, on whom and how: these are the three key questions to be answered for the biographer. Question, which a biographer can answer only if it is interdisciplinary.
Every life is full of chance and breaks but most biographers working on a closed system where everything follows a logic. This help takes a chronological thematic structure to act to follow. For the chronology gives the illusion that the biography of the structure and meaning have discovered instead that she has that yet created themselves, with the style of the omniscient. 
Lecture: "From the charm of the staged life - challenges and opportunities of the current biography."
Who, on whom and how: these are the three key questions to be answered for the biographer. Question, which a biographer can answer only if it is interdisciplinary.
Every life is full of chance and breaks but most biographers working on a closed system where everything follows a logic. This help takes a chronological thematic structure to act to follow. For the chronology gives the illusion that the biography of the structure and meaning have discovered instead that she has that yet created themselves, with the style of the omniscient.
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Stefan Zahlmann
lecture, "Genius in self-defense Individual failure and talking about the normal biography".
Much has been researched biographical models of success, there are also countless Erfolgsnarrative - but it lacks narrative of failure. The failure of a society is an important moment in a biography, because it cemented the individual failure. This is typical of the rhetoric of failure, which is predominantly in the GDR biography. It delegates the individual failure of the social failure. Similarly, a Erfolgsnarrativ as that of genius, in other connotations. The concept of genius is in totalitarian systems, a different one. The successful narrative is always a custom. Genie in the GDR, in the society living, one who has perfectly integrated, and within Framework works perfectly and provides great. The concept of genius in the communist countries has thus a very different connotation than in the West. 
lecture, "Genius in self-defense Individual failure and talking about the normal biography".
Much has been researched biographical models of success, there are also countless Erfolgsnarrative - but it lacks narrative of failure. The failure of a society is an important moment in a biography, because it cemented the individual failure. This is typical of the rhetoric of failure, which is predominantly in the GDR biography. It delegates the individual failure of the social failure. Similarly, a Erfolgsnarrativ as that of genius, in other connotations. The concept of genius is in totalitarian systems, a different one. The successful narrative is always a custom. Genie in the GDR, in the society living, one who has perfectly integrated, and within Framework works perfectly and provides great. The concept of genius in the communist countries has thus a very different connotation than in the West.
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Klaus Puhl
Lecture: "Between Trattenbach and Gugging: The institutionalization of Wittgenstein.
stories about Wittgenstein, as the rumor that he had in Cambridge refferiert lying on his back, have contributed to the cult of genius, Wittgenstein considerably. What is the role of an institution and its way of the story? The role of the Austrian Ludwig Wittgenstein Society is ambivalent: it has promoted the Wittgenstein research in Austria significantly, other hand supported also by their invitation practice (especially analytic philosophers from the anglosächsichen space) the analytical collection of Wittgenstein. This was but always against a Catholic-idealistic attitude of Wittgenstein, which meant he was only much later, a public. 
Lecture: "Between Trattenbach and Gugging: The institutionalization of Wittgenstein.
stories about Wittgenstein, as the rumor that he had in Cambridge refferiert lying on his back, have contributed to the cult of genius, Wittgenstein considerably. What is the role of an institution and its way of the story? The role of the Austrian Ludwig Wittgenstein Society is ambivalent: it has promoted the Wittgenstein research in Austria significantly, other hand supported also by their invitation practice (especially analytic philosophers from the anglosächsichen space) the analytical collection of Wittgenstein. This was but always against a Catholic-idealistic attitude of Wittgenstein, which meant he was only much later, a public.
Does All North Faces Have The Logo On The Back?
Werner Zillig
Lecture. "Wittgenstein and the marketing genius, a philosopher is usable."
Where Success is coming from is to say often difficult. There are several categories of worship (students, researchers and institutions interested with the content, trailers) and marketing. Marketing, these are measures to make people aware. Here, various Marekting types are distinguished: The pride of having known a special person, or jealousy and self-profiling in the name of Wittgenstein. Zillig voted to Wittgenstein not to use as a label. 
Lecture. "Wittgenstein and the marketing genius, a philosopher is usable."
Where Success is coming from is to say often difficult. There are several categories of worship (students, researchers and institutions interested with the content, trailers) and marketing. Marketing, these are measures to make people aware. Here, various Marekting types are distinguished: The pride of having known a special person, or jealousy and self-profiling in the name of Wittgenstein. Zillig voted to Wittgenstein not to use as a label.
Burping For Days After Stomach Flu
Allan Janik
Allan Janik was a speaker at the concluding panel discussion: "Wittgenstein's Vienna ', a biography?
My book has been misunderstood as a book about Vienna. I was unhappy with the title, because it is a book about the importance of ethics for Wittgenstein in the context of his Viennese context. To understand Wittgenstein, one has to work hermeneutic, thousands of pages of Wittgenstein deconstructed take us any further. In contrast, some biographical myth helps but the deconstructive view: For example, the popular image of Wittgenstein's ascetic life. Wittgenstein simply had a bad stomach. There was nothing brilliant. Biographies today replace the Saints, the role models, heroes. I need a biography of Wittgenstein. 
Allan Janik was a speaker at the concluding panel discussion: "Wittgenstein's Vienna ', a biography?
My book has been misunderstood as a book about Vienna. I was unhappy with the title, because it is a book about the importance of ethics for Wittgenstein in the context of his Viennese context. To understand Wittgenstein, one has to work hermeneutic, thousands of pages of Wittgenstein deconstructed take us any further. In contrast, some biographical myth helps but the deconstructive view: For example, the popular image of Wittgenstein's ascetic life. Wittgenstein simply had a bad stomach. There was nothing brilliant. Biographies today replace the Saints, the role models, heroes. I need a biography of Wittgenstein.
Thursday, March 23, 2006
Mac Makeup Hiring Qualifications
Architos timber architect, passive houses, Minergiehaus, passive house, Minergie P
Current Projects :
house "Samain" with granny in CH-Häggenschwil
single-family home as certified Mindergie-P-house overlooking the Säntis
single-family house construction in Minergie standard in Lenzburg
The house stands on the edge the city of Lenzburg on increasing Lindfeld with views of the castle and the town of Lenzburg Lenzburg.
Current Projects :
house "Samain" with granny in CH-Häggenschwil
single-family home as certified Mindergie-P-house overlooking the Säntis
single-family house construction in Minergie standard in Lenzburg
The house stands on the edge the city of Lenzburg on increasing Lindfeld with views of the castle and the town of Lenzburg Lenzburg.
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Tuesday, February 14, 2006
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construction in Stettfurt
you build a house in Stettfurt and construction is documented. Early in November went off and mid-2006 move-in date.
12/02/2006
Weblog: "What else has been made. Last Wednesday, we completed the isolation work mostly. Meanwhile, the carpenters have installed the complete vapor barrier. The crane was on Friday also dismantled and removed. We now have again a clear view of the garage. "
you build a house in Stettfurt and construction is documented. Early in November went off and mid-2006 move-in date.
12/02/2006
Weblog: "What else has been made. Last Wednesday, we completed the isolation work mostly. Meanwhile, the carpenters have installed the complete vapor barrier. The crane was on Friday also dismantled and removed. We now have again a clear view of the garage. "
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